钢琴踏板用法 用英语翻译

钢琴踏板用法 用英语翻译
钢琴踏板用法 用英语翻译

钢琴踏板用法 用英语翻译
the use of the piano pedal

钢琴踏板的使用方法？
钢琴的踏板是除钢琴键盘外最重要的钢琴配件，由意大利乐器制造家克理斯多佛利(Bartolommeo Cristofori)于1711年在改造钢琴时发明的。现代钢琴一般有三个踏板，右踏板是制音踏板，左踏板是柔音踏板，中间的那个是弱音踏板(三角钢琴的中间踏板是选择性制音踏板)。当演奏者踏下柔音踏板时，立式琴锤就会向琴弦方向推移一段距离，使琴锤与琴弦的距离稍微近一点，以降低琴...

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钢琴踏板的使用方法？
钢琴的踏板是除钢琴键盘外最重要的钢琴配件，由意大利乐器制造家克理斯多佛利(Bartolommeo Cristofori)于1711年在改造钢琴时发明的。现代钢琴一般有三个踏板，右踏板是制音踏板，左踏板是柔音踏板，中间的那个是弱音踏板(三角钢琴的中间踏板是选择性制音踏板)。当演奏者踏下柔音踏板时，立式琴锤就会向琴弦方向推移一段距离，使琴锤与琴弦的距离稍微近一点，以降低琴锤击弦时的速度，从而降低音量达到柔和的效果。卧式钢琴则是使琴锤向水平方向移动一定的距离，使琴锤击打三根琴弦中的两根或两根琴弦的一根从而达到降低音量的效果。弱音踏板则是使琴锤隔着一定厚度的毛毡来击打琴弦，大大降低了钢琴的音量，使钢琴发出很小的声音，以避免练习时扰乱别人。这两个踏板的使用频率是比较低的，一般很少运用。
最常使用是右踏板，踩下右踏板，钢琴里的制音器全部抬起，由于谐振的作用钢琴就会发出比较大的声音，因此有人叫它强音踏板。踩下这一踏板还可以让钢琴发出的声音得到一定时间的延长，因此我们还可以叫它延音踏板。这一踏板是由是英人布劳马(John Broadwood)于1783年发明的，这一踏板的诞生使钢琴发生了巨大的变化。钢琴家安东·鲁宾斯坦说“踏板是钢琴的灵魂”说的就是这右踏板。说明制音踏板的使用是多么重要啊！
年龄小的孩子由于身高的原因无法过早地学习踏板的使用方法，需要等身高长到坐在琴凳上两脚能脚踏实地的时候才能学习。这不排除有一些传动装置让孩子学习使用踏板的年龄再早一点。
右踏板(制音踏板)的使用大致可以分为以下几种：
一、直踏板的使用，和落下的手一起踩下踏板，在声音结束时松开踏板，其作用是利用琴弦的谐振增大音量，强化某一个单音或和弦。这需要分析曲子中和弦的进行，一般是在一个和弦的开始部分踩下踏板结束是松开踏板的。绝对不能够在踏板踩下到松开的时间里出现两个和弦的连接，这样会使不同的和弦一起混响起来，产生浑浊的现象。也就是说不能让人感觉“糊了”。所以使用这种踏板要用耳朵仔细鉴别，或者学一些和声知识以帮助我们分析选择踏板的使用情况，确保踏板的使用让钢琴发出的声音比较干净。
二、切分踏板的使用，脚在手指把音弹出后踩下踏板，并一直持续着等手弹出地二个和弦后把踏板松开（以清楚第一个和弦的延留音）并立即踩下踏板。这种使用方法手和脚的动作是相反的，存在着时间上的先后顺序差别，因此叫做切分踏板。
三、根据乐曲表现的要求踏板的使用还会分出全踏板、二分之一踏板、四分之一踏板等层次。这需要我们理性的分析乐曲来确定踏板的使用程度。用在一个和弦长时间地延长，音乐需要清净明亮的效果时，我们可以考虑使用全踏板。当旋律发展采用级进的形式，不采用踏板声音显得比较干涩的时候，就考虑采用二分之一踏板或四分之一踏板了。因为这样的片段里，不踩踏板太干，全踩下去就太糊。因为踏板踩下去的程度越小延留音的尾巴就越小，不踩踏板就干脆没有这样的尾巴，所以声音就会干涩，用一点踏板就可以弥补了。这里所说的“糊”是指音响中夹杂的和弦外音造成的不和谐音响的延留或酸染音响和谐但共鸣造成了声音过大而淹没应该强调的声音。
四、非常规的踏板用法，比如为了制造特殊的声音效果而使用的踏板，利用钢琴琴弦的谐振制造模糊的声音效果而采用的震颤踏板等等。但这种踏板的用法是比较少见的。
总之，踏板的运用是比较复杂的，也考验着我们对乐曲的理解和处理的能力，因此而呈现出多姿多彩的局面，所以在踏板使用上真正能够体现出仁者见仁智者见智。有些专家强调踏板的运用要讲究“少而精，短而清”的原则，那就是要求我们做到仔细分析曲子，尽量少用踏板，能不用就不用，应该用的一定要用，做到踏板利用的时间要短，目的是使乐曲更加干净利索
Piano pedal usage?
Piano pedal in piano keyboard is most important piano parts, by the Italy musical instrument manufacturing company Chris Dover Lee ( Bartolommeo Cristofori ) in 1711 in the transformation of the invention of the piano. The modern piano generally have three pedals, a right pedal is a damper pedal, a left pedal is the soft pedal, is the middle one damper pedal ( grand piano middle pedal is selectively damper pedal ). When the player depresses the soft pedal, vertical hammers to strings over a distance direction, make the hammers and strings slightly closer to the distance, in order to reduce the speed when the hammer action, thereby reducing the volume to achieve soft effect. Horizontal piano is making hammers to horizontally move a certain distance, so that the hammer hit the three strings of two or two strings a root in order to reduce the volume effect. The una corda pedal is made through a certain thickness of the felt hammers to hit the strings, greatly reduces the volume of the piano, the piano from very small voice, in order to avoid the practice to disturb others. The two pedals use frequency is relatively low, seldom use.
The most commonly used is the right pedal, pedal right pedal piano, the damper lifted at all, because the piano would sound resonance big sound, so some people call it the forte pedal. On the pedal can also let the piano sounds are the extension of time, so we can also call it a sustain pedal. The pedal is the British cloth Rauma ( John Broadwood ) invented in 1783, the pedal was born to a piano has undergone tremendous changes. Pianist An Dong Rubenstein said" the pedal is the soul of the piano." that is the right pedal. Instructions for use of the pedal tone is very important!
Younger children due to the height reasons not prematurely learning the use of pedal, need to sit on the bench height long legs to stand on solid ground when ability study. This does not rule out the possibility of some transmission device to make children learn to use pedal age a bit earlier.
The right pedal ( a damper pedal ) use can be roughly divided into the following several:
One, direct the use of pedal, and drop the hand depresses the pedal, the sound at the end of the pedal is loosed, its role is to use the string resonance volume increased, strengthening a tone or chord. This requires the analysis of music chord, a chord is generally in the beginning portion of the step on the footboard end is to release the pedal. Absolutely not to step down the pedal to release the time two chord is connected, it will make different chords with reverb, produces turbid phenomenon. That is to say can't let a person feel" paste". This pedal to ears carefully differential, or learn some knowledge to help us analyze the choice and pedal usage, to ensure that the use of pedal pianos sound relatively clean.
In two, splitting the use of pedal, at the foot of his tone after ejecting treading the pedal, and continued with hand popped two chord after the pedal release ( to clear the first chord suspension ) and immediately depress the pedal. This method of using hand and foot movements are opposite, the existence of time sequence difference, therefore it is called the split pedal.
In three, according to music performance requirements using pedal will tell the pedal, pedal, pedal and other levels of 1/4 1/2. This needs us to rational analysis to determine the extent of use of pedal. For a long time extended chords, music need to clean bright effect, we can consider the use of the pedal. When the melody of the progressive development of the form, do not use pedal voice appears to be relatively dry time, consider using 1/2 or 1/4 pedal pedal. Because of this fragment, without pedaling too dry, the step on it too. Because the pedal down smaller retardation tail is smaller, not the pedal will simply not such a tail, so it will be dry, use a pedal can be made up of. What say here " paste" refers to the sound with chord sound resulting from discordant sound detained or acid dye sound harmony but resonance caused a loud and flood should be stressed in the sound.
In four, a conventional pedal usage, for example in order to create a special sound effects and the use of the pedal piano string, using the resonant manufacturing fuzzy sound effects and the use of tremor pedal etc.. But this pedal usage is relatively rare.
In short, the pedal is the use of more complex, also a test of our understanding of the composition and processing ability, thus showing a colorful situation, so the pedal use can really reflect the different views. Some experts emphasized pedal use should pay attention to" fewer but better, short and clear " principle, that is we do a careful analysis of the song, to minimize the use of pedal, can need not need not, should be used to achieve the pedal, use time to be short, the purpose is to make the music more in a clean manner

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